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Polymer Art/Artist

A group that uses polymer clay as the medium to create wearable, functional and decorative art and adornment pieces

Location: BAIA website
Members: 10
Latest Activity: Nov 20, 2015

Discussion Forum

International Polymer Clay Association Awards

Started by D.L. Drew. Last reply by D.L. Drew Sep 30, 2013. 2 Replies

Hello Polymer Clay Artists!I was wondering if any of you are members of The International Polymer Clay Association and if you are  going to participate in their annual polymer clay competition?  This…Continue

Tags: polymer-clay

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Comment by Kathleen DeQuence Anderson on August 13, 2015 at 1:17pm

Hello everyone,

It has been some time since any of us have commented on this group page.  Today, I learned a new member has joined.

Glad to learn that Kandolo has added his name to this group of polymer artists/enthusiasts.

Kandolo, please feel free to post or comment on your work with polymer.

Hope everyone is enjoying their Summer.

Comment by Kathleen DeQuence Anderson on October 24, 2014 at 7:14pm

It has been awhile since I visited BAIA. Pinterest has been swallowing my time :-)
Going forward I will make sure to check in on a weekly basis.

Comment by Daryl Russell on July 8, 2014 at 2:04pm

Comment by Daryl Russell on March 29, 2014 at 1:19pm


Thanks for the introduction to polymer.Love working with polymer now. This is a polymer and stone piece I made.

Comment by Kathleen DeQuence Anderson on October 2, 2013 at 2:14pm

Colonizing Abstraction: MoMA's Inventing Abstraction Show Denies It...

by G. Roger Denson, 2/14/2013

Shouldn't the most authoritative of our cultural institutions be as mindful of the language used in representing the history of international art, especially a history in which mitigating the injuries historically wrought by political and cultural colonizations still within memory are required to facilitate a new global civilization eager for crosscultural exchange?

I'm referring to the title of the Museum of Modern Art's current exhibition, Inventing Abstraction, 1910-1925. It may seem a benign choice of words to Europeans and Americans who have been educated with little orientation to our former roles as colonizing nations, but to art audiences from the myriad nations with whom we are building the new global agora, the title conveys a dishonest attempt to sell the world on a genesis of abstraction that is entirely a modern European enterprise. How much more historically accurate and relevant the show's title would have been had the curators added two small letters--the "Re" of Reinventing Abstraction. After all, the show's curator, Leah Dickerman, and assistant curator, Masha Chlenova, both from MoMA's Department of Painting and Sculpture, did the right thing in entitling a listening gallery for modernist European music, Reinventing Music.

The intent is clear. MoMA is sensible enough to concede that music existed prior to 1900, but by implication then seems to dispose of all sense in asserting that visual abstraction did not. More to the point, MoMA appears unwilling to admit that visual abstraction existed outside of Europe, let alone that it can be found on all six habitable continents for at least tens of thousands of years.

Click on link to read the entire article and see the exquisite photos.

Comment by Kathleen DeQuence Anderson on September 26, 2013 at 1:00pm

Hi Linda,

Welcome to Polymer Art/Artist group!  Looking forward to more communications.

Have a great day!!

Kathleen

 

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