Started Feb 2 0 Replies 1 Like
If one ponders the question, what has Jean Michel Basquait contributed to the African American art canon to advance the art and culture of Black people? The answer in my humble opinion is absolutely…Continue
Started this discussion. Last reply by Edwin Boone Jan 31. 2 Replies 4 Likes
Photos from the members of the African American Realist Society. Find more photos like this on BLACK ART IN AMERICAOne of the saddest sights…Continue
Started this discussion. Last reply by Lola Cooper Mar 11. 6 Replies 1 Like
1.) How would your art change if money was no object? 2.) Money is a huge concern for most artists. The primary reason being that it takes many years of training with very little support before one…Continue
Started this discussion. Last reply by Edwin Boone Apr 1. 60 Replies 7 Likes
There are many debates surrounding the belief that creativity can not be taught, nor can one learn to become a visual artist at school. Some artists proclaim that their talents are God given, as if…Continue
Tags: Teach, Artists, Creativity
Edwin Boone commented on Black Art In America's group Black Art in New York
Edwin Boone commented on Black Art In America's group Black Art in New York
Edwin Boone commented on Black Art In America's group Art Opportunities
jocelyn rainey liked Edwin Boone's discussion NCANY honors 99 year old sculptress at annual conference
jocelyn rainey liked Edwin Boone's discussion NATIONAL CONFERENCE OF ARTISTS NY (NCA) CELEBRATES 40 YEARS
Edwin Boone commented on Black Art In America's group Black Art in New YorkSTATEMENT
I prefer art that is beautifully rendered, technically sound, expressive, and informative, but neither sanitized nor heavily edited, and that’s why my interest lie primarily in Realism. I strive to create beautiful and realistic images of all people, but social and historical subject matter is very important to me. I also believe that the integrity of an artist can be measured through his sincerest renditions of the portrait and the figure.
Conveying meaningful and lasting images which can be clearly understood without interpretation is my primary objective from conception, additionally I prefer landscapes which offer an abundance of natural beauty, along with solitude found in the most remote places.
BIOGRAPHY
Edwin Boone is an African American Artist born in the city of Boston. He attended The Elma Lewis School of Fine Arts in the early 1970's before its transition to the NCAAA, where at a very early age he was introduced to contemporary art. Edwin studied Russian Academic Art in New York from 2004 until 2010. Edwin broadened his focus in 2010 to include French and Italian styles of Classical Realism among his studies. Edwin’s other interest include Social Realism, and African American Art.
EDUCATION
September, 2004 to March 2010: Bridgeview School of Fine Arts, under Samuel Kudish.
June, 2009 to August 2009: National Academy Museum & School of Fine Art, Summer Workshop, under Sam Adoquei
January, 2010 to March, 2011: The Grand Central Academy of Art, under Josh Larock, Nicholas Hiltner, Sam Wisneski, and Jon deMartin. Summer Intensive Workshop, under Jacob Collins.
November, 2010 to February, 2012: The Art Students League, under Dan Thompson and Costa Vavagiakis
March, 2011 to present: Atelier Armetta, under Robert Armetta. Additionally,
Long Island Academy of Fine Art, under Dave Peikon.
www.edwinboone.com
Sheilah Lyles said… The website for NCA New York looks great!
Jerry Jordan said…
Kortez said… I like the figures Bro! STRONG PENCIL WORK MAN!!!
Kortez said… The art is BANGIN'!!!!
Kortez said… Peace Bro Thanks for the add!
Denise Wilson said… Your work is amazing !!!!!! I am a admirer of realism.
Winston Kennedy said… I was spending too much time on the internet and had to go back to the woodshed (the studio). Your figurative works a powerful. I read your response to the exhibition in NYC. "Playing in the Dark" has become so commonplace in a lot of contemporary African American Art- to quote Nikki Giovanni, "Black people, ain't we got no shame". A general studio image is attached indicating the latest series of work.
Allison Brown said… Just reviewd your invite and I'm looking forward to seeing your work
Naturalby Default said… Wow, Thanks, looking forward to reviewing some of your work on BAIA
Naturalby Default said… Hi Mr. Boone,
Just wanted to say hello. May I ask how long have you been an artist.
Posted on March 26, 2013 at 1:00pm 1 Comment 1 Like
I got a call early in the morning from John Brathwaite. He was feeling down for several reason and I couldn't immediately discern what he was talking about, because our phone connection was not very clear. Eventually he directed me to an article in the New York Times about Mr. Merton D. Simpson who had died at age 84 on March 9, and is still lying in a funeral home, because the family can not raise enough funds to bury him. Mr. Brathwaite was at another funeral in New York while the New…
ContinuePosted on March 17, 2013 at 1:30pm 0 Comments 2 Likes
Thorton Dial, Purvis Young, and Lonnie Holley in The Collection of Bill Arnett.
Some would say that in terms of Black art the works of these gentlemen are definitive of the Black experience in its most authentic form. I happen to disagree, but will concede that the combined talents of these men represent the articulation of a segment of our society that shares the African American experience plus its harsh realities, and transforms it into some of the most heartfelt expressions in the…
ContinuePosted on March 12, 2013 at 10:54pm 0 Comments 1 Like
Posted on February 26, 2013 at 12:00am 2 Comments 2 Likes
NCANY honors 99 year old sculptress at annual conference
The New York Chapter of the National Conference of Artists (NCANY) presented its prestigious Black Art History Makers Award to 99 year old sculptress Inge Hardison, during its annual Arts & Cultural Conference, Connecting the Past to the Future through the Present.
The presentation…
ContinueDarkest America: Black Minstrelsy from Slavery to Hip-Hop Well documented and very comprehensive, Taylor and Austen are at ease discussing the artistry and social traditions of the Zulu Krewe at the Mardi Gras carnival from the zaniness of Harlem Renaissance writer Zora Neale Hurston to the rich hip-hop clowns Flavor Flav and Lil Wayne.
Interested in having your book featured, join the Book Look group and for more on authors check out AALBC.
