Malik Seneferu
  • Male
  • Richmond, CA
  • United States

Malik Seneferu's Friends

  • Julien Trésor Lubanda-Kandolo
  • woodrow nash
  • Wrangler Steve Gunter
  • elbert mitchell
  • Ron Carter
  • Tamesha Diggs
  • Theoplis Smith III
  • Ajuan Mance
  • Christopher-Aaron Deanes
  • JaeMin Seo
  • Larry Poncho Brown
  • Greta Chapin McGill
  • Cassandra Chrispin
  • Hezekiah Baxter Jr.
  • Sanah Brown
 

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WWW.MALIKSART.COM

Award winning self-taught painter, draughtsman, muralist, sculptor, poet and illustrator, Seneferu is also a Kwanzaa facilitator and Art an instructor with Five Keys Charter Schools in San Francisco County Jail at San Bruno. He is largely known for his artMagnets where he has reached thousands. Seneferu’s work has traveled to Durban South Africa's “War against Racism” in 2001, Kenya, Haiti, Italy, London and through out America.


ARTIST STATEMENT 
MALIK SENEFERU BORN (HERMAN J SMITH JR) SAN FRANCISCO CA.

Memories of my childhood play a tremendous role in my approach to creating art today. In my early years my mother a single parent lived in fear for my health due to the environmental hazards of San Francisco’s Hunters Point district. I suffered with asthma. Therefore, my innate interest to drawing and painting became that of a marriage over sports modeling my pursuit for constant spiritual mental and physical elevation. Having siblings among others as viewers of my work challenged me to go beyond my limitations. I remember my late grandmother a Barber and tailor sewing for hours at her machine after coming home from work. I would sit at her feet and draw on a paper bag with a pen, marker, crayon or a number two pencil. 

Art is an absolute liberation of my imagination, a tool I use to communicate and share my “inner-light.” I have regular memories of my childhood working at the local super market, helping elders with their shopping bags. Receiving tips helping my grandmother in her barber shop by sweeping up the hairs to find money mysteriously hidden in large clumps. At the end of each service, those who knew me would say, “Keep up the good work and never stop doing your art.” From these experiences, I have learned the treasure of focusing on minuet details. Eventually, I realized in my artistic process that I too would hide treasures. 

Living with this artistic expression is ritualistic in act and meditative in thought. Many times in the midst of creating, I experience dejavu. The realization of a single moment is obsolete only until it is captured by a memory of a stroke; a thought or pause for observation that I have discovered represents reincarnation of that tangible moment. Because of this, the very act of creating fine art is imparted with the relationship and responsibility I have with THE CREATOR. “The purpose of my existence.” 

I also feel it is my duty as self taught artist to have an internal dialog with the viewer and in many cases the ancestors, where at this point I find inspiration for artistic expression. Fathering my child, serving my community, drumming, martial arts, poetry, philosophy and ancestral facts (history), all helps with the enhancement of my expression, to captures the Black, experience in America. I enjoy manipulating dry water-based paints, oil pastels, ink pen, found objects or assemblage. Book illustrations, portraiture, and public art projects have brought me closer to my community. The purpose of my compositions is to elevate the social, political, environmental and spiritual issues of people deeply challenged by oppression. This has been my greatest enrapture. 

Kenya and Haiti are places for instance that influence the bold and dramatic colors in my works. Henry Ossawa Tanner, Aaron Douglas, John Biggers and Jean-Michel Basquiat (to name a few) has inspired my artistic direction. Being an artist and growing up with-in low-income housing projects, surrounded by the early stages of Hip-Hop, had an immense impact on my ability to create freely. Although this bold life style of music, poetry, art, dance, and intense research today seems barbaric. It nevertheless has influenced me to be boundless in my creative efforts to deliver messages of empowerment to the indigenous peoples of the world.

Comment Wall (23 comments)

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At 8:19am on April 22, 2014, elbert mitchell said…

Thank's,....I like your too..

At 7:04am on March 27, 2014, Wrangler Steve Gunter said…

thank you Malik...

At 9:50pm on March 18, 2014, Greta Chapin McGill said…
At 1:45pm on October 2, 2013, Sharon Robinson said…

Hi Malik, Wow your very creative. Thanks for wanting to be a friend. I like your sculptures they are very unique. Your one of the first artist I've seen that use iridescent colors in their work. I love the geometric faces too! March Brother, what about some full length body images? The best thing I like about drawing our people is our features. You have taken those features and really extended the look. Is this intentional?

At 10:49pm on September 2, 2013, Melvin Wallace Clark said…

I'm in Detroit Brother. 

At 8:11pm on August 14, 2013, Nanno V Smith said…

Thank you, Malik.

At 3:38am on July 24, 2013, Queen Sy said…

Thank u and blessingz, dear bruh!

At 9:39am on June 19, 2013, Stephanie Abena Kaashe said…

> Your work is a strong representation of the rhythm and passion of our culture- Luve it!

At 9:34am on December 28, 2012, Rai Starr said…

Hello Malik, thanks for the friend request! Beautiful work!!!

At 4:49am on December 27, 2012, Theophilus Owusu Quame said…

you are welcome my friend,thank you for the friendship.

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