Started this discussion. Last reply by Najee Dorsey Nov 20, 2012. 6 Replies 3 Likes
Two years ago I made my first trip to Miami for Art Basel, exploring, to see what opportunities existed for artists and collectors of…Continue
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Najee Dorsey In an article from Black Enterprise Wealth For Life, Cool Jobs: 'Artrepreneur' Uses Web to Expose World to Artists of Color, June 19, 2012, Demetria Irwin wrote in her post, "Najee Dorsey self-proclaimed artrepreneur and mixed media artist". The business of art and being the artist -- hmmm ...
Lets see ... a cross between an artist and an 'artrepeneur' -- thats a fine line to walk. You'd have to choose between mental stability needed for the business side, and creative chaos needed to create art. You'd have to engage both sides of the brain, simultaneously, as you maneuver numbers and colors ... or is it colors and numbers? Is this state of affairs mentally exhausting? Or is it exhilarating? Who is Najee Dorsey and how did he come to walk this line?
Lets start at the beginning.
Najee, the artist, said that he sold his first piece of art to his momma and then promptly went out and bought candy. I told Najee that selling your artwork to your momma counts but it doesn't count in the real world. Seriously, how did you get started in the art scene? What was the first piece you sold and to whom?
Najee Dorsey, being from Arkansas, confesses to being a self-taught artist but in 1991, he did attend Memphis College of Art (which later became known, after he prematurely left, as Memphis Academy of Art). 1992-1993 is the year Najee sold his first piece of art, entitled, "Guidance In The Time of Ignorance". Interestingly, it was an airbrush piece that went to his, now mentor and friend, Abdul Najjar Musawwir.
He opened (with the help of his wife Seteria) a gallery / used-book store / coffee-shop in Blytheville, Arkansas summer of 2000. Najee used the space as a platform to launch his art career. But for some reason, in 2004, Najee felt compelled to run for City Council in Blytheville and lost. This turn of events was good for everybody. In 2005, Najee decided to focus on art (full-time). The result of this focus - his art is now featured in the "Visions of our 44th collection" at the Charles H. Wright Museum in Detroit, the African American Museum in Dallas and the Marietta Museum of Art in Florida. This was the beginning of Najee, the emerging artist.
And then there is ... Najee, the 'Artrepeneur'
Moving to Atlanta, Georgia, Najee realized success. The natural artist in him emerged. Four and half years later he understood how many doors were closed to the African-American arts community. Najee wanted to create an avenue of greater exposure for artist of color. Najee and his wife Seteria, also an artist, are collectors and patrons of the arts too. They have amassed a collection of over 200 pieces of art by various artists including but not limited to, Louis Delsarte, Faith Ringgold, Woodrow Nash, George Hunt, Abdul Majjar Musawwir, Mason Archie, Mr. Imagination and little known but a favorite, Desande R. -- all accomplished African American Contemporary Artists.
Najee, the Artrepeneur, saw a future for this under-valued, under-served arts market that had the potential of future appreciation. Being both artist and collector, Najee was in a favorable position to effect a solution. Canvassing his fellow collectors he realized they wanted to be exposed to the world of the black artist but lacked guidance. What was needed was a centralized place to profile the artist, see their work and collect future masters during their infancy stage. This lead to the creation of Black Art in America (BAIA) in 2010, the now leading global social network & resource for African-American visual artists, collectors, industry leaders, and arts enthusiasts. As of this writing, BAIA, has a reach of 500,000 people and is growing. With this success has come conflict -- conflict, pleasure and pain. The pain is good, but it's pain nonetheless. Think in terms of muscle burn -- the pain you feel when you push your muscles beyond what they normally do. You feel the burn and that's good.
Najee and his partner in Black Art in America (BAIA), Janelle Dowell, are now in their muscle burn period. The site exists and is growing. People are joining hour by hour. The phone is ringing off the hook with people, possibilities and opportunities. This is good for Najee, the 'Artrepeneur'.
Then there is ... Najee Dorsey, the Artist.
You are leaving the emergence stage of your art career. Your style and technique have been defined and your art has taken on its own identity. Your work was even chosen to be featured in the all-black version of "Steel Magnolias". Collectors are seeking you out and all you want to do is get back into the studio and create more work.
The conflict comes from working both sides of the brains, left and right -- simultaneously. The conflict is also in time and desire. You have the desire, but not enough time to meet the desire. You have to grow Black Art In America. You have to continue developing you, the artist. For Najee this is a pleasurable dilemma!
I asked Najee Dorsey, artist and artrepeneur, what was a typical day like for him? "Well", he said, "I used to start my day with a cup of coffee, but now that I have moved up a notch in life, I start my day with a fresh perked cup of coffee". I check Black Art In America and Facebook. Next, I make sure I check in with my team, sneak in a round of golf and then it's off to the studio.
As we were finishing this profile and before Najee could perk his afternoon cup of coffee, he got a call from the Reese Witherspoon people. They asked to use some of his paintings in their new film, "The Devils Knot". They were filming in Catersville, GA. So much for pain (to be continued) ...
By the way ... do you Basel ?
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On August 16, 1859. a letter was written by Harriet Newby wife of Dangerfield Newby believed to be the real life story that the character for Django the movie is modeled after. Below is a copy of the letter, a story I want to share with you with the focus of the art work being on the wife. (the text around the piece is the entire letter written below)
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Darkest America: Black Minstrelsy from Slavery to Hip-Hop Well documented and very comprehensive, Taylor and Austen are at ease discussing the artistry and social traditions of the Zulu Krewe at the Mardi Gras carnival from the zaniness of Harlem Renaissance writer Zora Neale Hurston to the rich hip-hop clowns Flavor Flav and Lil Wayne.
Interested in having your book featured, join the Book Look group and for more on authors check out AALBC.

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Is there a place to put Invites. I don't see it.
Thanks for responding re titles & tags. I will need to find someone to sit with me to get it done. AND THANKS MUCHLY FOR FEATURING ME. I'm getting some friends as a result. I am going to also write a note to all my early friends to try to get them back!!! JWF
Love your style... of art...and the message.
I'm deeply moved by your rich art history of family and friends I'm also amazed with your craft and art, amazing and thanks for sharing.
Hi Najee - hope all well with you. A question - images and videos that I have uploaded in the past have disappeared. Will they be re-instated? I sent an email requesting for my previous uploads to be added. Perhaps this is being worked on. And is this now the new website... and what happens to the old one? Many thanks, Christy
Hey Najee i,m not so chating guy but its not abou tmy freinds its about me now Nardo:) So i dont know what you mean but thats because my bad englische:) Thank you Najee help me out;)
You are an amazing human being Najee. Over the years I have come to really consider you a personal friend. I will always support what you do. I will down load some images as soon as I get the chance. I may actually make it to Art Basel In Miami for Saturday and Sunday, keep your fingers crossed.
Way to go nephew!